What is the greatest?

So, did you know that it is forbidden to ‘sing’ the Islamic call to prayer? Apparently, if the vowels are excessively elongated and the call becomes more like song, then people won’t understand what is being said to them. Who knew?

I intend no disrespect to Islam. But this weekend I will be singing to call five times, between 6pm Saturday 25th and 6pm Sunday 26th February, at the (in)xclusion 24 hour live art festival. Cannee freckin wait. xxx

Right now, I’ve got some viral Stockholm-fever following my weekend of intense arttings at the Stockholm Independent Art Fair. And by that I don’t mean that my Scandanavian self has become a media frenzy. Me’s got bogies is all. But please check out Paul Dunca, he’s me new fave vampire.

Rrrright.

AALLLLLLLLLAAAAAAAAAAAAAAAHHHHHH AKKKKKKKBABABABABABABABBAAAAARRRRR.

etc

sneeze

kisses. x

 

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Shirintarin

Bryan Brown, a colleague at my performance studies department recently pointed me in the direction of Shirin Neshat as an example of a Iranian contemporary artist making poignant, precise and stunning film, photography and media works in New York. Whilst I had seen Shirin in interviews on illegal Persian satellite channels when I was living in Tehran last year, and began applying think swathes of black kohl to my eyes with cultish devotion, I had not seen any of her artworks, not even her highly publicized ‘Women Without Men‘, which won her the Silver Lion  66th Venice Film Festival in 2009.

There is plenty written about Shirin and her work, and I really love the use of vocal music and in Turbulent (1998). But, while I was scrabbling around for interviews of the softly spoken artist, I found the following:

The experience of watching this chopped up and always already unfinished video is SO unsatisfying that it created a craving inside of me. A performance of incompleteness and process representing the before and after of a work-in-progress screening of Shirin’s not-yet-successful film, her reticence and humility in presenting the work make for a tantalizing non-trailer. What are your experiences of watching this clip? Judging from the relatively low play count (especially compared to the tens of thousands who have watched her other interviews), people aren’t interested in the unfinished. So why am I?!

Also, watch this, he’s lovely.